Joe & Sekou

Sortie le 11 mars 2014
Label : Cumbancha
Originaire de Conakry, en Guinée, Sekou Kouyate est membre du groupe Ba Cissoko et est considéré comme le “Jimi Hendrix de la Kora”. Joe Driscoll quant à lui, originaire de Syracuse (NY) il a été sollicité pour collaborer avec Sekou lors du festival Nuit Metis à Marseille ». Une semaine pour créer un concert !
« …les deux protagonistes, qui n’ont que la musique comme langue commune, affirment un son où les riffs de kora et de guitare, le groove sourd des calebasses et les voix chantées ou rappées en anglais et sossou, opèrent un syncrétisme entre polyrythmies africaines, blues, afro-beat, hip-hop, rock, et même reggae ». Mondomix

Originaire de Conakry, en Guinée, Sekou Kouyate est membre du groupe Ba Cissoko et est considéré comme le “Jimi Hendrix de la Kora”. Joe Driscoll quant à lui, originaire de Syracuse (NY) il a été sollicité pour collaborer avec Sekou lors du festival Nuit Metis à Marseille ». Une semaine pour créer un concert ! « C’est une organisation qui se charge de se faire rencontrer les artistes de milieux créatifs et culturels différents. On a passé une semaine à jammer et improviser, et par chance mon dictaphone était toujours sur la table. Il y avait une alchimie instantanée et palpable. Au cours des mois suivants, chaque fois que nous le pouvions, nous écrivions. Et nous avons fini par enregistrer à Marseille » précise Driscoll. En soussou et en anglais, “Faya” de est un puissant condensé d’Afrobeat, de divers styles africains, de Hip Hop, de Folk et de Reggae. Il défie toutes les étiquettes. Pour tous ceux qui connaissent la musique de Joe, le mélange familier de rap, de folk et de blues est ici encore reconnaissable

« Ça touche à tellement de genres mais nous n’avons jamais discuté de tout cela, nous avons juste eu plaisir à faire ces sons », raconte Joe. « Nous partageons le point de vue que toutes ces branches de la musique proviennent de la même racine.

Le titre "Faya", traduit grossièrement du Sousou signifiant ‘donnez-moi du feu, laissez-moi jouer avec lui’. Nous avons senti une étincelle dans l’inspiration, et avons cherché à la capturer sur cet album. »

Sékou Kouyaté, originaire de Guinée Conakry, a grandi dans une grande famille avec une forte tradition musicale. Pourtant, ce ne sont pas tant ses influences mais sa capacité à les transcender qui le rend remarquable. La comparaison avec Hendrix vient de son style de jeu unique avec des effets d’une diversité incroyable et une intensité extrême.

Joe Driscoll est originaire de Syracuse dans l’État de New York. Il a déménagé à Brooklyn quand il avait 18 ans et y a vécu quatre ans avant de s’installer au Royaume-Uni en 2003. En résidence en Angleterre, Joe est devenu un acteur important du collectif OneTaste, avec d’autres adeptes comme Jamie Woon, Little Dragon et Portico Quartet. Joe a également collaboré avec Rodney P, Skitz, et Spragga Benz. Sur la route en permanence, son mélange de folk et de Hip Hop fait des ravages partout où il passe.

The well-worn and often overblown expression "music is a common language" has never been more apropos in the case of Joe Driscoll & Sekou Kouyate. US-born, England-based Driscoll speaks no French and Kouyate, who hails from the West African country of Guinea, little English. When they were brought together at the Nuit Metis (Mixed Night) festival in Marseille, France in 2010 and given a week to produce a concert, music was the only way they could communicate.

It turns out, they had a lot to "talk" about, and their first meeting sparked a collaboration that led to the formation of a band, the recording of an album, over 120 concert dates across Europe and rave reviews. Driscoll contributes the rapping, looping, beatboxing and songwriting talents he developed growing up in Syracuse, New York and during his own successful recording career. Kouyate, already a phenomenon in African music circles, has blown minds and ears with his hypersonic electrified riffs on the kora, bringing the exalted West African harp into the 21st Century with use of distortion peddles, effects and previously-unimagined technical prowess. Together, Driscoll and Kouyate blend hip-hop, spoken word, funk, and soulful, accessible rock with Afrobeat, reggae and irrepressible African grooves.

This February, Cumbancha Discovery will introduce the world to Joe Driscoll & Sekou Kouyate’s debut album Faya, which has already earned praise from tastemakers and devoted fans across Europe where they have performed in many of the continent’s top festivals and venues. Faya reached the number 2 spot on the prestigious World Music Charts Europe, a survey of top international music DJs across the continent. Their album earned Joe & Sekou a nomination for Best Cross-Cultural Collaboration from Songlines, the UKs definitive global music magazine. The Cumbancha Discovery release of Faya includes a bonus remix of the album’s title track by UK DJ collective Gentleman’s Dub Club.

Sekou Kouyate was raised in a respected and accomplished musical family in Conakry, Guinea. Trained in the ancient traditions of his instrument, it is his ability to transcend and build upon those traditions that has set him apart. In France, he is known as the ’Jimi Hendrix of the kora’ because of his unique style of playing with various effects, in a variety of genres, and with an extreme intensity. Kouyate has toured the world over as a member of the Ba Cissoko band, comprised of his cousin and brothers.

Joe Driscoll, whom Cee-Lo Green labelled "the gangsta with an iron lung," has been touring steadily for years, spreading his unique fusion of folk and hip-hop. The modern day take on the one man band, he uses live looping to create soundscapes full of beatbox, guitar, harmonica, percussion, harmonica, and just about anything else he can make use of. Now living in Bristol, England, Driscoll has performed his ground breaking solo show at the famed Glastonbury Festival, Electric Picnic in Ireland, and hundreds of major stages worldwide.

By teaming up, Driscoll and Kouyate have created a sum that exceeds even the large whole of its individual parts. According to Driscoll, "We’ve been raised in very different cultures in so many ways, but we share a lot of the same interests musically. Sekou was raised in the African rhythm and traditions, yet has always had a passion for reggae, hip-hop. I’m kind of the other way around. At the heart of it, we both just make the noises we love ; we listen to each other, and try to flow in harmony. I think we just bounced off each other in so many ways : rhythmically, melodically, with craftsmanship. Through this, we found we had a language between us and that philosophically we were on a lot of the same pages as well."

The songs on Faya address burning social issues, commenting on poverty, borders, immigration and inequality. According to Driscoll, " We wrote about things that we knew and experienced, things that were important to us. We’ve both travelled the world extensively, so dealing with these issues was a very important part of the experience. We had things we wanted to say about them. The message is the seed. Some people just enjoy the fruit, but we try to spread the seeds with a positive vibe." Kouyate sings in French and his native Susu language and Driscoll expounds in lightning fast bursts of cunningly crafted English.

"One day in Africa, there will be no borders," declares Kouyate in French at the beginning of the album’s opening track "Tanama", establishing a consistent theme about the fallacy of the imaginary lines that separate the people of the world. On the second song "Passport," Driscoll responds to Kouyate’s chorus "Music is my passport," by singing "Because its only you, you see / Who has made a boundary." The scorching third track "Faya", a tribute to fire in its literal and metaphorical sense, highlights Sekou’s kora wizardry, Driscolls vocal dexterity and the unstoppable grooves they create together. It’s a remarkable first third of an accomplished debut album, and the balance of the album is equally compelling.

With plans already in the works to record a follow-up album, Joe Driscoll and Sekou Kouyate have discovered that music speaks louder than words.